2006 |
Valdez, Sarah, ‘Lorna Simpson: Echoes of the Unspoken’, Art in America, December 2006. |
2004 |
Katrin Bettina Müller, Interieurs, tip, No 5, February/ March 2004. |
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Michaela Nolte, Heimat lauert überall, Der Tagespiegel, p.25, 14th February 2004. |
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Rita Preuss, Handgriffe, die bleiben, Ticket, No 7, February 2004 |
2003 |
Clancey, Luke, ‘Reviews: Lorna Simpson’, ArtReview, May 2003, p. 95. |
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Clancey, Luke, ‘Lorna Simpson’, Art Preview, February 2003. |
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Downes, Mary, ‘Lorna Simpson’, Irish Independent Day & Night Magazine, February 21, 2003. |
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Gaston, Diana, ‘Lorna Simpson at the Whitney Museum of American Art’, Camerawork, Spring/Summer 2003, p. 34-35. |
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Gifford, Barry, ‘Rosa Blanca’, Film Comment, May/June 2003, pp. 70-71. |
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McParland, Brenda, ‘Lorna Simpson: Photoworks and Films, 1986-2002’, Irish Museum of Modern Art Exhibition Brochure, February 2003. |
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Paik, Tricia Y., ‘Lorna Simpson: Cameos and Appearances’, Art on Paper, January-February 2003, p.76. |
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Painter, Chad. ‘ ‘Watching a video’ is a legit date option for once,’ The Other Paper, September 25-October 1, 2003, p. 17. |
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Rush, Michael. ‘Starting With Fabric, Branching Into Everything’, The New York Times, February 2, 2003, p.35. |
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Schmidt, Sabine Maria, ‘Taktiken des Ego’, Vernissage, Summer 2003, p. 25-31. |
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Starker, Melissa. ‘Keep it Moving,’ Alive, August 28, 2003, p.29. |
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Temin, Christine, ‘Red, White, and Pink Cellophane’, Boston Sunday Globe, May 18, 2003, front page. |
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Tuttle, Nancy. ‘Currier Gallery brings the New York Art Scene North’,Sun, September 26, 2002. |
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Weinstein, Elizabeth. ‘Frames of reference,’ The Columbus Dispatch, September 14, 2003, pp. C1-C2. |
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Yates, Christopher A. ‘Exploring Passing Time,’ The Columbus Dispatch, October 5, 2003, p. F6. |
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‘Exhibition Previews,’ NY Arts, January 2003, p. 31. |
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‘Focus Video and Film,’ Flash Art, January - February, 2003, (Vol. XXXVI No. 228): pp. 88 & 93. |
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‘Irish Museum of Modern Art’, Artforum, February 2003. |
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‘Irish Museum of Modern Art’, World of Art, Issue 6, Vol. 3, 2003, p. 26-28. |
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‘Lorna Simpson’, A-N Magazine, March 2003. |
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‘Lorna Simpson’, Contemporary, issue 47/48, 2003, p. 30. |
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‘Lorna Simpson’, Elle, March 2003 |
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‘News and Around—MASS MoCA’, tema celeste, May - June 2003, p. 111. |
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‘Recent Acquisitions’, The Studio Museum in Harlem Exhibition Guide, April – June 2003, p. 15. |
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Exhibition Guide, Flint Institute of Arts, March/April 2003, p. 4. |
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Exhibition Guide, Irish Museum of Modern Art. |
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Program Guide, Stiftung Wilhelm Lehmbruck Museum, May 2003. |
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JP Morgan Chase Annual Calendar. |
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New York Times Magazine, February 23, 2003, p. 8. |
2002 |
Arango, Jorge. ‘At Home with Lorna Simpson,’ Essence, May 2002, pp. 172-174. 177. |
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Baker, George. ‘Film Rebuff,’ Artforum, May 2002 (vol. 40, no. 9), p. 69. |
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Collins, Lynn A. ‘Art du Jour, www.wheelock.edu, February 6, 2002. |
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Cotter, Holland. ‘It’s Biennial Time, and the Whitney is Humming,’ International Herald Tribune, March 16 – 17, 2002. |
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Cotter, Holland. ‘Spritual America, From Ecstatic to Transcendent,’ The New York Times, March 8, 2002, pp. E35, 37. |
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‘Exhibit Features Artists’ Visions Inspired by Cars,’ Antiques & the Arts Weekly, February 8, 2002. |
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Griffiths, Paul. ‘Where the Art Comes Through Loud if Not Clear,’ The New York Times, April 28, 2002, p. 36. |
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Israel, Nico. ‘Tribal Counsel,’ Artforum, January 2002 (vol. 40, no. 4), pp. 47, 48. |
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Kennedy, Louise. ‘Vroom with a View,’ Boston Sunday Globe, March 24, 2002. |
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Kimmelman, Michael. ‘Global Art Show With an Agenda,’ The New York Times, June 18, 2002, pp. E1,E2. |
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Meyer, James. ‘Tunnel Visions,’ Artforum, September 2002, pp. 168-169. |
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Miller, Greg. ‘On the Freeway at MOA,’ Riverwalk A&E, 2001/2002, p. 27. |
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Müller, Silke. ‘Documenta 11,’ Art, June 2002, pp. 14-39. |
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‘New Exhibit Features Artistic Visions Inspired by Car Interiors,’ Wellesleyweek, February 18-25, 2002. |
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New York Magazine, September 9, 2002, p. 69. |
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Nickas, Bob. ‘Multiple Voice,’ Artforum, May 2002 (vol. 40, no. 9), p. 69. |
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Novakov, Anna. ‘In Conversation with Lorna Simpson,’ Atlantica (Winter 1998), pp. 172-178. |
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Orive, Begoña F.. ‘El Centro de Arte acoge la primera gran exposición europea de Lorna Simpson,’ La Gaceta, April 26, 2002, p. 15. |
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‘Photographer Lorna Simpson to Speak at Wellesley’s Davis Museum April 11,’ Antiques & the Arts Weekly, March 29, 2002. |
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Pollack, Barbara. ‘Turning Down the Stereotypes,’ ARTnews, September 2002, pp. 136-139. |
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Princenthal, Nancy. ‘Whither the Whitney Biennial?,’ Art in America, June 2002, pp. 49-53. |
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Richard, Francis. ‘Fall 2002 Preview: Lorna Simpson,’ Artforum, September 2002, p. 74. |
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Robinson, Walter. ‘Monster Mash,’ artnet.com, June 8, 2002. |
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Schjeldahl, Peter. ‘Do it Yourself,’ The New Yorker, March 25, 2002, pp. 98, 99. |
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Silver, Joanne. ‘Auto Motives,’ Boston Herald, March 1, 2002. |
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‘Surrounding Interiors: Views Inside the Car at the Davis Museum and Cultural Center,’ The Wellesley Townsman, February 14, 2002. |
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Yablonsky, Linda. ‘Whitney Biennial 2002,’ ARTnews, April 2002 (vol. 101, no. 4), p. 133. |
2001 |
‘Art Fall Preview,’ New York, September 10, 2001, p. 92. |
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‘Art Listings,’ Time Out New York, September 13-20 (no. 312), 2001, p. 62. |
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‘The Artist’s Way,’ Oprah Magazine, November 2001, p. 228. |
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‘Artists Selected for Whitney Museum’s 2002 Biennial,’ Whitney Museum of American Art (press release), November 2001. |
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‘Lorna Simpson at Sean Kelly Gallery,’ Il Giornale Dell’Arte, September 2001, p. 72. |
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‘NY Scene,’ Interior Design, September 2001 (vol. 72, no. 11), pp. 161, 165. |
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‘The Best of 2001,’ Interior Design, December 2001 (vol. 72, no. 15), p. 143. |
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Bernstein, Fred A. ‘Quick Learner,’ Elle Décor. vol. 12, no. 1, February - March 2001, pp. 14, 121- 129. |
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Dannatt, Adrian. ‘Black Conceptualist Month,’ The Art Newspaper (International Edition), September 2001 (vol. 12, no. 117), p. 78. |
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‘Goings on About Town. Galleries: Chelsea,’ The New Yorker, September 17, 2001, p. 43. |
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Henry, Lisa. ‘I'm Thinking of a Place,’ UCLA Hammer Museum Brochure January 23 - April 15, 2001. |
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Ilesanmi, Olukemi. ‘Kellie Jones: Passing it on,’ The International Review of African American Art, 2001 (vol. 18, no. 1), pp.42, 43. |
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Israel, Nico. ‘Tribal Counsel,’ Artforum, January 2002 (vol. 40, no. 4), pp. 47, 48. |
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MacAdam, Barbara A. ‘Warm Words,’ Artnews. February 2001, vol. 100, Number 2, p. 45. |
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Ollman, Leah. ‘Import/ Export; Losing Ground: Public Art at the Border,’ Art in America. No. 5, May 2001, pp. 69-71. |
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Porter, Erin. ‘Communication Breakdown: mis.com,’ The North Shore News, June 29, 2001, p. 15. |
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Saltz, Jerry. ‘Keeping the Faith,’ The Village Voice, October 2, 2001 (vol.46, no. 39), p. 70. |
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Scott, Andrea K. ‘Reviews: Lorna Simpson at Sean Kelly Gallery, New York,’ Tema Celeste, November – December 2001, p. 81. |
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Talbott, Susan Lubowsky. ‘New York on Our Minds,’ Des Moines Art Center News, November/December 2001, p. 2. |
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Wight, Karen. ‘Scenarios: Recent Work by Lorna Simpson,’ Insight, University of Michigan Museum of Art, March-April 2001. |
2000 |
‘Selections form the Permanent Collection: the 1980s,’ View (Museum of Contemporary Art San Diego Quarterly Newsletter). January - February - March 2000, p. 3. |
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Calas, Terrington. ‘Inside Photography,’ The New Orleans Art Review, September/Oct. 2000, pp. 2-6. |
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Marquardt-Cherry, Janet T. ‘B(l)ack Talk: African American Women’s Confrontational Art,’ Exposure, 2000 (vol. 22), pp.53-60. |
1999 |
Brockington, Horace. ‘Logical Anonymity: Lorna Simpson, Steve McQueen, Stan Douglas.’ The International Review of African American Art. vol. 15, no. 3, pp. 20 - 29, 1999. |
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‘Lorna Simpson,’ Blind Spot. Issue 7. |
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‘Now Showing Art,’ Now. January 7, 1999. |
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‘Out Of Town,’ The London Free Press. December 4, 1999. |
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The New York Times Magazine, April 11, 1999 Sec. 6, p. 8. |
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‘Walker Art Center News: Lorna Simpson,’ Flash Art. January - February 1999, p. 44. |