2008 |
Schreiber, Falk, Der kalte Blick, U_mag, 11/08, p.66-73 |
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Anderson, Virginia Billeaud, ‘Old, Weird America explores American Folklore’, Greater Houston Weekly, May 21, 2008, Page 6AA |
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Willems, Brian: ‘Mourning Undead: The Melancholy Zombie’, in art US, issue 21, new year 2008, p. 59 |
2007 |
Tumlir, Jan, ‘Sci-Fi Historicism’, Flash Art No 255, July-September 2007, p. 123, ill. |
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Völzke, Daniel, ‘Review – Ich bin dann mal tot: Die Gruppenshow between two deaths will härter und präziser sein als trendige Neo-Romantik – und bleibt dabei doch zu kuschelig’, monopol, Juli 2007, p. 120 f. |
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CT, ‘’Zwischen zwei Toden’ im ZKM, Karlsruhe’, Kunst-Bulletin, Juli/ August 2007, p. 76 |
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Christofori, Ralf, ‘Das große Konzept’, Tagesspiegel, Nr. 19598, 07. Juli 2007, p. 220 |
2006 |
Blumenstein, Ellen, ‘L.A: Confidential’, monopol, Magazin für Kunst und Leben, No. 6, December 2006, p. 87 |
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Kastner, Jeffrey, Charlie White, Artforum, March 2006, p.290 |
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Valesco, David, Charlie White, Critics Picks: Charlie White, Artforum (online-edition), January 2006 |
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Glueck, Grace, Charlie White: Everything is American, The New York Times, February 10, p.E37 |
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Charlie White: fa Projects, Kultureflash, January 25, p.149 |
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Macdonald, Fiona, States of fear: Review, Charlie White: Everything is American, The London Metro, January |
2005 |
Eleven Artists From Los Angeles, Rogue Wave 01, p. 01.10. |
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Manifestation Internationale d’art de Quebec, Exposition Centrale: Charlie White, p. 72. |
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Madhar, Raju, Charlie White is having a problem…, Toronto Star, October 27, p.G10 |
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White, Charlie,The Cyrilla Strothers Project, res, January/February |
2004 |
Cotton, Charlotte, The Photograph As Contemporary Art, published by Thames & Hudson World of Art, London, 2004, p.68-69 |
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Bonini, Paola, Incrinare il codice, Sugo, March, p.2-6 |
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Sara assurdo, ma a me fa paura, Focus, May, p.38-44 |
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Shreve, Jenn, The Wizard of ID, Wired, February, p.124-129 |
2003 |
Adbusters, Issue 47, May/2003 |
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Aletti, Vince, Charlie White, The Village Voice, May 7-13, p.71 |
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Artnotes, Art Monthly Australia, July, p.46 |
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Backhouse, Megan, Octopus unfurls its arms once more, The Age, July 19, p.7 |
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Bagner, Alex, Pin Up!, Wallpaper, Issue 59, June 13 |
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Hill, Peter, Golden Years, Sydney Morning Herald, August 16-17, Spectrum, p.12-13 |
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King, Natalie, Octopus 4: More Real Than Life”, ACCAmag, August |
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Krenz, Marcel, Charlie White: And Jeopardize the Integrity of the Hull, Contemporary, Issue 55, p.77 |
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Real Life, Oyster Magazine, Aug./ Sept. |
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Seidner, Joshua, Extra: Adult Book, V Magazine, V25 Sept/Oct |
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Strahan, Lucinda, True and New, The Age, July 24, A3, p.8 |
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And Jeopardize the Integrity of the Hull, Paris: TDM, 2003. |
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Jewish in America (Part Two), Michigan Quarterly Review, Winter, p.122 |
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Review of “And Jeopardize the Integrity of the Hull”, The L Magazine, p.18, April 30, May |
2002 |
Hoffman, Jens, Understanding Charlie, Hot Rod, Issue 17 |
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Herstad, Monica Emile, Fjords, Issue 6 |
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Glass, Alexie, You’re a Sick Man Charlie White, Black + White, June/July, p.26 – 29 |
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MacKenzie, Michael, Making a scene, Visual Arts Journal, Summer, p.12/14 |
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Moreno, Glen, The End of the Future, Art Papers Magazine, September/October, Vol.26.5, p.22 – 27 |
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Pagel, David, California Biennial is on the Right Laugh Track, Los Angeles Times, July 17, F1 |
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Pincus, Robert L., Ordinary Strangeness, The San Diego Union-Tribune, June 20, p.38 |
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Walsh, Daniella, Exhibit two years young, The Orange County Register, June 2, p.21 |
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Who’s Who 2002, Bizarre, Issue 55, p.88 – 91 |
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A Multi-Layered Debut, Coast, June, p.86 |
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Charlie White, Crunch, Issue 01: Winter/Spring, p.34 |
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No.5, Exit, 2002 |
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The sun always shines, Flux, No. 30. April/May |
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Charlie White, Photofile, Issue 67, December, p.32 – 36 |
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Avant Art, Riviera, May/June |
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Fantasy Eye: Charlie White, Tokion, July/August, No.30 |
2001 |
Auerbach, Lisa Anne, et al., Charlie White, Frankfurt:Goliath Publishers, 2001 |
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Cover, Technikart, December |
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Leckie, Craig, Monster Raving Loony Art, Sleazenation, Volume 4, Issue 9, October, p.10 – 11 |
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Aletti, Vince, Voice Choices: Charlie White, The Village Voice, March 27, Vol.XLVI, No. 12, p.81 |
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Lubowsky Talbot, Susan, My Reality: Contemporary Art and the Culture of Japanese Animation, publication for the exhibition, Des Moines Art Center, February 10 – May 6 |
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Ammirati, Domenick, Real life and elsewhere, Modern Painters, Summer, pp.88 |
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Dery, Mark, L.A. Creep Show, Art + Text, No. 74, August – October, p.48-55 |
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Higgins, Ned, Cartoon Reality, Artnet.com, www.artnet.com/Magazine/reviews, August |
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Kerr, Merrily, Charlie White: Andrea Rosen, The New York Art World.com, April, p.8 |
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Ratnum, Niru, I, Monster, The Face, No. 55, August, p.66 – 67 |
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Rimanelli, David, Charlie White, Interview, March, p.66 |
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Villar, Gonzalo, Charlie White reinterpreta el universo kafkiano en su serie Understanding Joshua, Cultura Segunda Época, Año.18, No.73, Segundo trimestre de 2001, p.26 |
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White Noise, Detour, The Cherry Issue 2001, p.32-33 |
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Charlie’s Book, Hot Rod, No.14 |
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Goings on About Town: Photography, The New Yorker, April 2, p.16-17 |
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March Art Listings, Charlie White “Understanding Joshua”, Shout Magazine – New York, March, p.9 |
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Critic’s Picks, Time Out New York, April 5-12, Issue No.289, p.53 |
2000 |
Bonetti, David, Art show: pipeline to the beyond, San Francisco Examiner, March 9, p.B1/B4 |
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Evans, Jason, The New Up, Viewpoint, Issue 8, October, p.118-123 |
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Lunenfeld, Peter, Snap to Grid: A User’s Guide to Digital Arts, Media, and Cultures, published by M.I.T. Press, c. 2000, p. 56 |
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Van Proyen, Mark, Miming for Meaning, New Art Examiner, Vol.27, No.6, March 2000, p.30 – 33 |
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Brave New World: White Riot, Detour, Dec/Jan, p.78-79, 86 –89 |
1999 |
Aletti, Vince, Choices: Photo, The Village Voice, March 23 , Vol.XLIV No. 11, p.79 |
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Dyson, Jonathan, Something Wild, The Independent Magazine, November 13, p.46-47 |
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Berdan, Kathy, A warm and fuzzy guide for kids, Today: The Des Moines Registrer, September 13 |
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Johnson, Ken, The New York Times, March 26, p.E42 |
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Lyle, Peter, Ghouls Out, The Face, October, No. 30, p.146-150 |
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Macinnis, Michael, Short List, The New York Art World, April, p.6-7 |
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Mahoney, Robert, True West at P.P.O.W, Time Out: New York, p.52 |
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Myoda, Paul, Spotlight: Charlie White, Flash Art, October, p.110 |
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Schwendener, Martha, Time Out New York, April 1-8, Issue No. 184, p.57 |
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Siegel, Katy, Charlie White: Andrea Rosen Gallery, Art Forum, Summer, p.156 |
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Viveros-Fauné, Christian, Expecting the Big One, The New York Press March 24-30, Vol.12 No. 12, p.20 |
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Alumni, Art Byte, June-July-August, p.40-41 |
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Andrea Rosen Gallery: Charlie White, The Art Newspaper, Vol. X, No.90, March |
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Erotica, 48.Volume 3, Spring |
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Andrea Rosen Gallery: Charlie White, Il Giornale dell’Arte, Anno XVII, No. 175, March, p.86 |
1998 |
Aktrans, Andrew, Surf and Turf, ArtForum, Summer, p.110-112. |
1995 |
Alhadeff, Gini, Lettera da New York, Italian Elle, January, p.76-77 |
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Cotter, Holland, The Name of the Place, The New York Times January 31 |
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Frankel, David, The Name of the Place, Artforum, May, p.104 |
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Greene, David A., Charlie White at Andrea Rosen Gallery, Frieze, March – April, p.81 |
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William, Kristin Duncan, Obligatory Porn-Shoot Visit, Tribe, January-February, Issue 15, p.56 |
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Saltz, Jerry, The Name of the Place, Time Out New York, February 5, p.42 |
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Femalien, Cheri, January, p.192-199 |
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The Hotel Gallery, Flash Art, Summer, p.79 |
1996 |
D’Avola, Greg, The XXX-Files, Manhattan File, November, p.69 |
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Haden-Guest, Anthony, True Colors: The Real Life of the Art World, Atlantic Monthly Press, p.337 |
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Kossoff, Julian, Strange Convictions, Time Out- London, Dec. 4-11, p.26 |
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Lustig, Jessica, Time Out-NY, November 14-21, p.3 |
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Rego de la Torre, Juan Carlos, Noticias de Arte/Art Notes, December/January, p.30-31 |