| 2008 |
Salon 94 Freemans, LORNA SIMPSON, INK, New York, USA |
| 2007 |
The Gibbes Museum of Art, Charleston, USA |
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Whitney Museum of American Art, New York, USA |
| 2006 |
Miami Art Museum, Miami, USA |
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Museum of Contemporary Art, Los Angeles, USA |
| 2004 |
Wohnmaschine, CORRIDOR, Berlin |
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Sean Kelly Gallery, LORNA SIMPSON, NY, USA |
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Mary & Leigh Block Museum of Art, Northwestern University, LORNA SIMPSON: 31, Evanston, USA |
| 2003 |
ConsejoNacional Para la Cultura y las Artes, LORNA SIMPSON, Mexico City, Mexico |
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Irish Museum of Modern Art, LORNA SIMPSON, Dublin, Ireland |
| 2002 |
Whitney Museum of American Art, LORNA SIMPSON, CAMEOS AND APPEARANCES, New York, USA |
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Whitney Museum of American Art, LORNA SIMPSON: 31, New York, USA |
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The Studio Museum of Harlem, LORNA SIMPSON, New York, New York, USA |
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Centro de Arte Contemporaneo, LORNA SIMPSON (inaugural and traveling exhibition), Salamanca, Spain |
| 2001 |
Presentation House Gallery Vancouver, Canada |
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University of Michigan Museum of Art, Ann Arbor, MI; and The National Museum of Women in the Arts, SCENARIOS: RECENT WORK BY LORNA SIMPSON, Washington, DC, USA |
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Sean Kelly Gallery, New York, USA |
| 2000 |
Addison Gallery of American Art, SCENARIOS: RECENT WORK BY LORNA SIMPSON, Artist in Residency, Andover, MA, USA |
| 1999 |
SCENARIOS: RECENT WORK BY LORNA SIMPSON, Walker Art Center, Minneapolis, MN, |
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CCA Kitakyushu Project Gallery, LORNA SIMPSON, Japan |
| 1998 |
Art Gallery of Ontario, CALL WAITING, Toronto, Canada |
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Kohn Turner Gallery, LORNA SIMPSON, CALL WAITING, Los Angeles, USA |
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Galeria Javier Lopez, LORNA SIMPSON, Madrid, Spain |
| 1997 |
Sean Kelly Gallery, LORNA SIMPSON, New York, USA |
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Wexner Center for the Arts, LORNA SIMPSON: INTERIOR/EXTERIOR, FULL/EMPTY, Columbus, USA |
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Miami Art Museum, LORNA SIMPSON: NEW WORK SERIES, Miami, FL |
| 1996 |
Karen McCready Fine Art, DETAILS, New York, USA |
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Galerie Wohnmaschine, THE BODY AND DECEPTION, Berlin, Germany |
| 1995 |
Sean Kelly Gallery, LORNA SIMPSON, New York, USA |
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Albrecht Kemper Museum of Art, LORNA SIMPSON, ‘WIGS,’ St. Joseph, USA |
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Cohen/Berkowitz Gallery, LORNA SIMPSON, Kansas City, USA |
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Wiener Secession, LORNA SIMPSON, Vienna, Austria |
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Richard Levy Gallery/21 Steps Edition, 9 PROPS: A NEW EDITION BY LORNA SIMPSON, Albuquerque, USA |
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Richard Levy Gallery, WIGS: AN INSTALLATION OF PRINTS ON FELT, Alburquerque, USA |
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Manchester Craftsmen’s Art Guild, LORNA SIMPSON: AN EXHIBITION OF PHOTOGRAPHIC WORKS, Pittsburgh, PA |
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| 2003 |
Flint Institute of Arts, THE MEDIUM IS THE MESSAGE: SCULPTURES FROM THE FIA’S COLLECTION, Flint, USA |
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Palm Beach Institute of Contemporary Art, IMPERFECT INNOCENCE, Lake Worth, USA |
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From the Collection of Norrece T. Jones, Jr., Hand Workshop Art Center, Richmond, USA |
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The Second Auckland Triennial, PUBLIC/PRIVATE/TUMATANUI/TUMATAITI, Auckland, New Zealand |
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Wexner Center for the Arts, IMAGE STREAM, Columbus, USA |
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Stiftung Wilhelm Lehmbruck Museum, TAKTIKEN DES EGO, Duisburg, Germany |
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International Center of Photography, ONLY SKIN DEEP: VISIONS OF THE AMERICAN SELF, New York, NY, USA |
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MassMoCA, YANKEE REMIX, North Adams, USA |
| 2002 |
Denver Art Museum, RETROSPECTACLE, Denver, USA |
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Weatherspoon Art Gallery, University of North Carolina,Group Exhibition, Greensboro, NC, USA |
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Miami Art Museum, MIAMI CURRENTS: LINKING COLLECTION AND COMMUNITY, Miami, FL |
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DOCUMENTA XI, Kassel, Germany |
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The Whitney Museum of American Art, WHITNEY BIENNIAL, New York, USA |
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Princeton University Art Museum, CAMERA: WOMEN, Princeton, NJ, USA |
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Davis Museum of Art, Wellesley College, SURROUNDING INTERIORS: VIEWS INSIDE THE CAR, Wellesley, MA, USA |
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The Portland Art Museum, EMBRACING THE PRESENT; The UBS Paine Webber Art Collection, Portland, OR |
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Wall Street Rising, ART DOWNTOWN, New York, New York, USA |
| 2001 |
The Frances Lehman Loeb Art Center, Vassar College, CAMERA: WOMEN, Poughkeepsie, NY, USA |
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The Clifford Gallery at Colgate University, SIX CONTEMPORARY ARTISTS, Hamilton, NY, USA |
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The Studio Museum in Harlem, RED, BLACK, AND GREEN, New York, NY, USA |
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mis.com, Presentation House Gallery, North Vancouver, British Columbia, Canada |
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Whitney Museum of American art at Philip Morris, A WAY WITH WORDS: SELECTIONS FROM THE WHITNEY MUSEUM OF AMERICAN ART, New York, NY, USA |
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UCLA Armand Hammer Museum, I’M THINKING OF A PLACE, Los Angeles, CA. |
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Sean Kelly Gallery, RE-LOCATION: ON MOVING, New York, NY, USA |
| 2000 |
The Museum of Modern Art, OPEN ENDS: ACTUAL SIZE, NY, USA |
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Installation Gallery, InSite2000, San Diego, CA, USA |
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Miami Art Museum, Converge, Miami, FL., USA |
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The Corcoran Museum of Art, CORCORAN BIENNIAL 2000, Washington, DC, USA |
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The Museum of Modern Art, ACTUAL SIZE, NY, USA |
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Whitney Museum of American Art at Champion, INSITES: INTERIOR SPACES IN CONTEMPORARY ART, CT, USA |
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The Museum of Fine Arts, CONCEPTUAL PHOTOGRAPHY FROM THE PERMANENT COLLECTION, Boston, MA, USA |
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Hand Workshop Arts Center, BEYOND THE PRESS: INNOVATIONS IN PRINT, Richmond, VA, USA |
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Krannert Art Museum, University of Illinois at Champaign, RIVERS OF SPIRIT: ART WOMEN OF THE AFRICAN DIASPORA, IL, USA |
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Corcoran Museum of Art, THE 46TH BIENNIAL EXHIBITION MEDIA/METAPHOR, Washington, DC, USA |
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Contemporary Arts Center, PHOTOGRAPHY NOW, New Orleans, LA, USA |
| 1999 |
Museum Ludwig, ART WORLDS IN DIALOGUE, Cologne, Germany |
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Tampa Museum of Art, ART IN THE NEWS, Tampa, FL, USA |
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The Hirshhorn Museum and Sculpture Garden, REGARDING BEAUTY: A VIEW OF THE LATE TWENTIETH CENTURY, Washington, DC, USA |
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Contemporary Museum, IMPACT: REVEALING SOURCES FOR CONTEMPORARY ART, Baltimore, MD, USA |
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Museum of Contemporary Art, TRANSMUTE, Chicago, IL, USA |
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Contemporary Arts Museum, OTHER NARRATIVES, Houston, TX, USA |
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University of California at Berkeley, MATRIX/BERKELEY: 20 YEARS, Berkeley, CA, USA |
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Des Moines Art Center, MCM – Y2K: A CENTURY OF ART ON PAPER, Des Moines, IA, USA |
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Museum of Fine Arts, PHOTO IMAGE: PRINTMAKING 60 TO 90'S, Boston, MA, USA |
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ART AND IDENTITY: AFRICAN AMERICAN ARTISTS IN THE COLLECTION OF THE NEW SCHOOL, curated by Lisa E. Farrington, New School, NY. |
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Robert Hull Fleming Museum, University of Vermont, BETRAYAL OF MEANS/MEANS OF BETRAYAL, VT, USA |
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Museum of Contemporary Art, DECADES IN DIALOGUE: PERSPECTIVES ON THE MCA COLLECTION, Chicago, IL, USA |
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The Art Institute of Chicago, SELECTIONS FROM THE ART INSTITUTE OF CHICAGO: AFRICAN AMERICANS IN ART, Chicago, IL, USA |
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Whitney Museum of American Art, THE AMERICAN CENTURY: ART AND CULTURE, New York, USA |
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Katonah Museum of Art, RE/RIGHTING HISTORY, Katonah, New York, USA |
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The Public Theater, IN THE BLOOD, exhibition that accompanied the opening of the play written by Susan-Lori Parks, New York, USA |
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New York Studio Events, INDEPENDENT CURATORS INTERNATIONAL, New York, USA |
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The Bronx Museum of the Arts, CON(TEXT): WORDS, TEXT, AND MEANING IN THE PERMANENT COLLECTION, New York, USA |
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Artists Space, ARTISTS SPACE 25TH ANNIVERSARY SPRING BENEFIT, New York, USA |
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Bildmuseet, MIRROR'S EDGE, Umea, Sweden |
| 1998 |
Solomon R. Guggenheim Museum, THE HUGO BOSS PRIZE 1998, New York, USA |
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Moderna Museet, INVISIBLE LIGHT: PHOTOGRAPHY AND CLASSIFICATION IN ART, SCIENCE AND THE EVERYDAY, Stockholm, Sweden |
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Museum of Fine Arts, PHOTOIMAGE: PRINTMAKING 60S TO 90S, Boston, MA; traveled to Des Moines Art Center, Des Moines, IA, USA |
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Paine Webber Art Gallery, HISTORIES (RE)MEMBERED: SELECTIONS FROM THE PERMANENT COLLECTION, NY, USA (selections from the Permanent Collection of The Bronx Museum of the Arts ) |
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Graphics Studio, Colecciones del Contemporary Art Museum y de Graphicstudio, University of South Florida, EL CAMPO EXPANDIDO, USA |
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Saint Louis Art Museum, DEFINING EYE: WOMEN PHOTOGRAPHERS OF THE TWENTIETH CENTURY, Saint Louis, MO, traveled to The Museum of Fine Arts, Santa Fe, NM; The Mead Museum of Art, Amherst, MA; Wichita Art Museum, Wichita, KS |
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Wohnmaschine, ARCHITECTURE AND THE MODERN MASK, Berlin, Germany |
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Contemporary Museum, MYSTERIOUS VOYAGES; EXPLORING THE SUBJECT OF PHOTOGRAPHY, InSite '98, Baltimore, MD |
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Karen McCready Fine Art, BRAND NEW EDITIONS, New York, USA |
| 1997 |
Whitney Museum of American Art, Selections from the Permanent Collection, New York, USA |
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Fundação Calouste Gulbenkian, DESLOCAÇÕES: FROM HERE TO THERE, Lisbon, Portugal traveled to Centro Português de Fotografia, Porto, Portugal |
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Wexner Center for the Arts, EVIDENCE: PHOTOGRAPHY AND SITE, Columbus, OH; traveled to Cranbrook Art Museum, Bloomfield Hills, MI; The Power Plant, Toronto, Canada |
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Des Moines Art Center, FROM BODY TO BEING: REFLECTIONS ON THE HUMAN IMAGE, DesMoines, IA, USA |
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2nd Johannesburg Biennale, LIFE'S LITTLE NECESSITIES, Johannesburg, South Africa |
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INSITE 97, San Diego, CA |
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Sand Point Naval Base, tHE oBJECTS IN THE hANGAR 2, Seattle, WA |
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International Center of Photography, EYE OF THE BEHOLDER: PHOTOGRAPHS FROM THE AVON COLLECTION, New York, USA |
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John Berggruen Gallery, STRUCTURES: BUILDINGS IN AMERICAN ART, 1900-1997, San Francisco, CA |
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Lance Fung Gallery, IMAGE, New York, USA |
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Miami Art Museum, DREAM III, Miami, USA |
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CHIMEAT CONCRETE BOOTS, New York, USA |
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Caracas, ESPACIO 204, Venezuela |
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Art Gallery at the University of Maryland, College Park, TERRA FIRMA, MD, USA |
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Greg Kucera Gallery, CIVIL PROGRESS: LIFE IN BLACK AMERICA, Seattle, WA, USA |
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Queens Museum of Art, Queens, QUEENS ARTISTS: HIGHLIGHTS OF THE 20TH CENTURY, New York, USA |
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Congress Centrum, MEDIUM OF EXCHANGE, Hamburg, Germany |
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Rhona Hoffman Gallery, NO SMALL FEAT, Chicago, IL, USA |
| 1996 |
The Museum of Modern Art, THINKING PRINT, New York, USA |
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Steirischer Herbst, INCLUSION/EXCLUSION, Graz, Austria |
| |
The Cleveland Center for Contemporary Art, URBAN EVIDENCE, OH, USA |
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The Spelman College Museum of Fine Art, BEARING WITNESS: CONTEMPORARY WORKS BY AFRICAN AMERICAN WOMEN ARTISTS, Atlanta, GA; traveled to Fort Wayne Museum of Art, Fort Wayne, IN; Polk Museum of Art, Lakeland, FL; The Columbus Museum, Columbus, GA; African American Museum, Dallas, TX; Minnesota Museum of American Art, St. Paul, MN; Gibbes Museum of Art, Charleston, SC; Edwin A. Ulrich Museum of Art, Wichita, KS; Portland Museum of Art, Portland, ME; Museum of Fine Arts, Houston, Houston, TX; African American History and Culture Museum, Fresno, CA |
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Expoarte Guadalajara, TO LIVE IS TO LEAVE TRACES, Guadalajara, Mexico |
| |
Lawing Gallery, SILENCE, Houston, TX |
| |
Guggenheim Gallery, Chapman University, ABSENCE, Orange, CA, USA |
| |
Tokyo Metropolitan Museum of Photography, GENDER BEYOND MEMORY, Tokyo, Japan |
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Anne Garry Pannell Center Art Gallery, Sweet Briar College, CONTEMPORARY AFRICAN AMERICAN WOMEN, |
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Chi Meat, CONCRETE BOOTS, Brooklyn, NY |
| 1995 |
The Whitney Museum of American Art, FACT & FICTION: PHOTOGRAPHS FROM THE PERMANENT COLLECTION OF THE WHITNEY MUSEUM OF AMERICAN ART, New York, USA |
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Kunstlerwerkstatt, OUTBURST OF SIGNS, Munich, Germany |
| |
Site Santa Fe, LONGING & BELONGING, Santa Fe, NM |
| |
The Bronx Museum of Art, TRACES: THE BODY IN CONTEMPORARY PHOTOGRAPHY, New York, USA |
| |
Josh Baer Gallery, ACT UP/ART BOX, New York, USA |
| |
The National African American Museum, IMAGINING FAMILIES, Washington, DC, USA |
| |
Whitney Museum of American Art, WHITNEY BIENNIAL EXHIBITION, New York, USA |
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